从对话到狂欢:融媒体时代纪录电影的对话关系

From Dialogue to Carnivalization:The Dialogue Relationship of Documentary Film in the Age of Media Convergence

对话的本意是指不同主体之间的语言交流,在文学领域最初是指对话体这种文学体裁。随着人文社会科学的发展,对话已经发展为一种跨越多学科的理论体系——对话理论。在媒介融合的当下,纪录电影这一最早的电影形态通过改变原有的创作者、被摄者与观众之间的对话关系,焕发了新的生机,呈现出了从对话到狂欢的演进趋势,这让源于真实生活的纪录电影在叙事、审美、传播及社会影响力上独具魅力。今天的纪录片创作者应在充分理解纪录电影在融媒体时代的传播特点的基础上,从作品的本体出发,把握好叙事角色的转变,以及与观众、被摄者的对话关系的转变,实现纪录片从内容到表达的全方位转型。

The original meaning of dialogue refers to the language exchange between different subjects.In the field of literature,it originally referred to the literary genre of dialogue.With the development of humanities and social sciences,dialogue has developed into atheoretical system of literature and philosophy-dialoguetheory.In the age of mediaconvergence,the documentary film as earliest film has changed the original dialogue relationship between the creator,the subject and the audience,renewed its vitality,changing the evolutionary trend from dialogue to carnivalization.Creators should fully understand the transmission characteristics of documentary films in the era of media convergence,proceed from the main body of the works,grasp the transformation of narrative roles and the transformation of the dialogue relationship with audiences and subjects,so as to achieve the sublimation of documentary spirits.