从长安到敦煌——盛唐艺术在敦煌莫高窟第45窟中的反映

From Chang’an to Dunhang——The Reflection of the Art of Glorious Period of Tang Dynasty in the Mogao Cave 45

敦煌莫高窟第45窟(705—749)位于莫高窟南区崖面中段底层,是一座由前室、甬道和主室组成的覆斗顶殿堂窟(图1),窟前原有五代殿堂建筑遗址。该窟为唐玄宗开元年间所建,前室和甬道在中唐、五代时期重修。1前室现存部分经变画,甬道为佛教感通画。主室保存较为完整,窟顶为方形藻井,四披绘千佛。

The Mogao Cave No.45 is the of representative in Tang dynasty,in which saved rich works of painting and preserved rich works of tang period of painting,statues that full of historical and artistic value.The Mogao Cave45 is located in the bottom of middle cliff face in the southern district.It’s a Pyramid ceiling cave which is consisted of former room,and the main room,and the building structure is relatively intact.It’s former room and tunnel was redrawn later during the Five Dynasties,the main body of main chamber is the works of Tang and was rebuilt in the Five Dynasties.Though the study and analyze for painting style of single image in the Mogao Cave No.45,it shows that the poetry represented by cave No.45 embody widely popular style of painting and sculpture in Chang’an,such as green landscape,noble-women,people under the tree,women dressed as boys,flowers and birds painting,buildings like reverse character "凹" and secular buddha statues,etc.These data of image reflects that of image reflects that Dunhuang grottoes inherited Chang’an traditional art in the early stage of the Tang Dynasty,it also showed the crucial function of Dunhuang grottoes art in the study of Chang’an art.Therefore,through the research of materials about sculpture and painting of the Mogao Cave No.45,which as representantion of Dunhuang grottoes in the Tang Dynasty,to enliventhe artistic of Chang’an in the Tang Danysity.