雕与塑的退场:当代雕塑艺术中审美范式的转变

The Exit of Carving and Shaping:A Shift of Aesthetic Paradigm in Contemporary Sculpture Art

当代雕塑重新审视了对象与创作技艺的关联性。这让传统雕塑创作中对"雕"与"塑"技法的推崇逐渐由新的审美范式所代替。传统造型技艺上的高低不再左右作品最终的审美价值,新的材料、手段上的突破让雕塑家更多地去注重作品自身的特质。这个巨大的变化彻底颠覆了雕塑美学中技艺观的基础性地位。艺术家在考量作品自律性的过程中用"好玩""有趣"等富有创造力的概念取代了过去对造型美的审视,作品的创作也在与观者的交流中得到延续,一种关注雕塑自身发展的新的审美范式正在形成。

Contemporary sculpture has re-examined the correlation between the object and the creative tech-nique, which has gradually replaced the reverence for"carving"and"shaping"techniques in traditional sculp-ture with a new aesthetic paradigm. The level of traditional techniques no longer influences the final aestheticof the work. This dramatic change has completely overturned the fundamental position of technique in the aes-thetics of sculpture. In the process of considering the self-discipline of their works, artists use the creative con-cepts such as"funny"and"interesting", which have replaced the past examination of stylistic beauty. The cre-ation of works has been continued through communication with the viewer, and a new aesthetic paradigm thatfocuses on the development of sculpture itself is being formed.