摘要
位于中国西南边陲的“高山上的房子”项目是一次建筑借助景观的“写作”——建筑本身缺乏语境,是“自然”让项目所在的城市得以成立,也让项目自身得以充满意味。从自然地形到人工地形、到再塑造的地形,本文讨论了一个特殊的建造项目中包含的三种不同的景观-建筑议题,也就是单体建筑项目需要寻求与广义的历史-环境的上下文之间的精准联系,需要寻求建筑学原则和工程实际的平衡点。人工构筑物和地形的最初关系可能是互相脱离甚至有所冲突的,建筑学方法试图协调不同尺度和不同功能的诉求。最终,在不寻常的建筑和景观语境之间,使用建筑的人们将走向两者间开放和有效的对话。
This essay writes on a building project in the remote southwestern China that is built in uninhabited and is inspired and informed by its landscape context.The essay discusses how an extraordinary building project reacts to three different dimensions about landscape–architecture—a natural terrain being manipulated and recast.A small building needs to find its precise connecting point to a much larger historical and environmental context.A practical project needs to reach a balance between architectural pursuits and engineering concerns.Initially,artificial works might be isolated from and in conflict with the terrain,which requires architectural approaches to reconciling the demands at different scales and of functions.Finally,people who use the building will move forward to an effective and open dialogue between architecture and its landscape settings.
作者
唐克扬
无
Keyang TANG;无(The Future Laboratory,Tsinghua University,Beijing 100084,China;Tang Keyang Studio)
出处
《景观设计学(中英文)》
CSCD
2023年第4期78-100,共23页
Landscape Architecture Frontiers
关键词
景观-建筑
地形
地形学
攀枝花
山地建筑
语境
Landscape–Architecture
Terrain
Topography
Panzhihua City
Mountainous Building
Context