卢葵生“漆玩”与沈绍安脱胎漆器仿古性的对比研究

Comparative Study on Antique Imitation of Lu Kuisheng’s "Qiwan" and Shen Shaoan’s Bodiless Lacquerware

卢葵生与沈绍安同为清代民间漆器匠人,因效仿古法而闻名。卢葵生擅长制作以漆砂砚为主的“漆玩”,沈绍安擅长制作脱胎漆器,二人分处于扬州和福州,皆为当时漆器行业的翘楚。以卢葵生与沈绍安的“仿古”行为为线索,通过对漆器实物和相关史料进行收集与整理,对比二人所制仿古漆器的用材、制法、用途、风格,以及地域差异与社会导向,论证卢葵生与沈绍安“仿古”行为的差异性与同源性,厘清二人以“仿古”为发迹契机的缘由,进而探究“仿古”在当代漆器工艺发展中的借鉴价值。

Lu Kuisheng and Shen Shaoan were both folk lacquerware craftsmen in the Qing Dynasty.They were famous for imitating the ancient methods of lacquering.Lu Kuisheng was good at making a type of lacquerware known as"Qiwan",mostly lacquer sand inkstones,and Shen Shaoan was good at bodiless lacquerware.They lived in Yangzhou and Fuzhou,and were eminent artisans in the lacquerware industry at that time.Centering on their imitation of antiques,this paper compares the materials,manufacturing methods,uses,styles,regional differences,and social preferences of the pseudo-classical lacquerware made by Lu Kuisheng and Shen Shaoan by collecting and examining these artifacts and relevant historical documents.It aims to demonstrate the differences and homology of the"antique-imitation"behavior of Lu Kuisheng and Shen Shaoan,clarify the reason why they modeled after antiques and explore the value of antique modeling in refining todayy’s lacquer techniques.