摘要
在视觉文化和图像研究日渐兴盛的文化背景下,明清戏曲图像研究涌现出了大量成果,形成了几种具有代表性的研究范式。在图像戏曲史的书写、戏曲的图像传播、图文关系研究、图像与视觉文化研究等多个研究层面均有所开拓和创新。这些研究从史证、媒介、符号等角度,为戏曲研究提供了可资参考的方法路径。本文将明清戏曲图像研究作为一个对象进行综合考察,并且对现有研究作出评价和总结。
Under the cultural background of the increasing prosperity of visual culture and image research,a large number of achievements have emerged in the study of opera images in the Ming and Qing Dynasties,forming several representative research paradigms.And it has developed and innovated at many research levels,such as the writing of the history.of image drama,the image communication of drama,the study of the relationship between image and text,and the study of image and visual culture.From the perspectives of historical evidences,media,symbols and others,these studies provide a reference method for the study of Chinese opera.In the paper,the study of Ming and Qing opera images is taken as an object,and the existing research is evaluated and summarized.
作者
高文强
李程蔚
Gao Wenqiang;Li Chengwei
出处
《古代文学理论研究》
2023年第1期172-188,共17页
Studies of Ancient Chinese Literary Theory
关键词
明清
戏曲
图像研究
视觉文化
Ming and Qing Dynasties
traditional opera
image research
visual culture