摘要
在中国画中应实中求虚 ,虚中求实 ,相因而生 ,相比而显。“空白”是中国画中虚的极致 ,空白内涵上的多义性、广泛性、模糊性延伸了中国画的意境。
There should be a harmonious combination of ideological and practical work in chinese paintings.“Blank”,the ultimate attainment of chinese paintings extends the mood of artworks with characteristics of changeable and extensive meanings and vague ideas.
出处
《唐都学刊》
2001年第3期98-99,共2页
Tangdu Journal
关键词
虚实关系
虚无益充实
the relationship between ideological and practical work