摘要
旅游者的凝视作为一种权力运作在当代民族村寨旅游中具有生成性动力意义,其中的召唤性激发了本地人进行文化的自我表征,在凝视与表征的互动中村落展演艺术得以建构。沐村旅游展演在不同途径和方法的文本符号制作中,体现了惯例中作为艺术的符号运用、生活中所指意义转换的符号进入以及根据生活加工的符号审美化等自我与他者跨文化共享中生熟转换的文化运作。
Tourists staring,as a power operation,is of generative significance to modern ethnic village tourism.It stimulates local people s cultural expression,so that the art of village shows can be constructed in the interaction between staring and expression.Tourism shows in the Mu Village,through textual symbols prepared by different means and methods,have demonstrated the exchanges in the cultural sharing between their "selves" and "others",including in the application of symbols as an art,the entry of symbols ...
出处
《广西民族大学学报(哲学社会科学版)》
CSSCI
北大核心
2009年第1期43-47,共5页
JOURNAL OF GUANGXI MINZU UNIVERSITY:PHILOSOPHY AND SOCIAL SCIENCE EDITION
关键词
凝视
艺术建构
“花腰傣”
stare
artistic construction
"Hua Yao Dai"