从中国动画音乐的发展看中国动画音乐的民族化

Nationalistic nature of background music for Chinese cartoons

中国动画音乐的民族化经历了三个高潮阶段,这三个高潮阶段一方面以动画音乐的民族性艺术表现为依据,另一方面以社会现状之于动画音乐的影响为背景。1949年之前,抗日救亡和民主革命的民族忧患意识是中国动画音乐的主旋律;新中国成立后,动画音乐又以戏曲和民乐等形式在文革前后各形成了一次民族化高潮。展望未来的中国动画音乐民族化发展,一方面要理解社会制度对动画音乐民族化的保障和制约,另一方面则要强调民族化的艺术性和市场功能,以争取可持续的长久发展。

Music with distinctive Chinese flavor for Chinese cartoons has gone through three peaks which were defined by the dominance of the Chinese musical elements and the influence of current events.Before 1949,the theme was the deep concern about the Chinese nation due to the anti-Japanese War and the democratic revolutions;later,this musical genre rose to its other two peaks in the form of the Chinese traditional operas and folk music before and after the Cultural Revolution.Looking into the future of this genre,we have to understand that social systems can be a booster for or a restriction on its development;beside,we should aim to produce music that is well received in the market so as to achieve its sustainable development.