摘要
大提琴的运弓和发音是演奏中最基本的问题,要想拥有浑厚、饱满、均匀有富于变化的具有表现力的音色离不开对弓的正确运用。本文论述了运弓对发音的影响。探讨了运弓中合理的“力”的使用、正确处理紧张与放松的关系对发音的重要作用。
Bowing and articulation of cello is a basic problem in performance. Vigorous, filled, well-proportioned, changing,and expressive tamber cannot do without an accurate bowing. Therefore, this article talks about the influences of bowing onarticulation from the following aspects. First of all, it is free and wide strings vibration, which depends on three basic factors:force and speed of bowing and the place where to lay a finger on while bowing, that decides the volume and timbre of cello.Besides, it talks about problems in bow holding, bow starting and strings changing. In the end, wise use of force in bowingand accurate treatment with tension and release play an important part in articulation.
出处
《南京艺术学院学报(音乐与表演版)》
2004年第4期74-75,共2页
Journal of Nanjing Arts Institute:Music & Performance
关键词
运弓
发音
换弦
触弦点
放松
cello
articulation
strings changing
the place where to lay a finger on while bowing
release