论巴赫金狂欢化理论的喜剧精神

Analysis on the Comic Spirit of Bakhtin's Theory of Carnivalesque

巴赫金植根于中世纪诙谐文化和拉伯雷创作实践的狂欢化理论,蕴含了丰富的喜剧美学思想,提出了许多新颖独到的见解,把握住了喜剧精神的本质和精髓,使"狂欢化"成了喜剧的一大特点,体现了一种喜剧精神,具有很强的喜剧意识。他对狂欢式"笑"的双重性的思考和阐释,具有哲理深度和积极的建设性,有助于我们全面、辩证地理解和把握喜剧的实质和审美功能;他的狂欢化理论所体现出的相对性思想,揭示了喜剧思维的重要特征。

Rooted in mid-century humour culture and Rabelais practice of writing, Bakhtin's theory of carnivalesque contains rich comic aesthetics, presents lots of novel and particular ideas, catches the essence and soul of comic spirit, which enables carnivalesque to be a distinct feature of comedy, indicating a kind of comic spirit with strong sense of comedy. His dualistic thought and explanation on carnivalesque-styled 'laugh' is constructive and has profundity of philosophic theory and is helpful for us to understand and catch the essence and aesthetics fuction comprehensively and dialecticly. The relativity thoughts represented in his theory of carnivalesque reveals significant features of comic thoughts.