摘要
陶瓷设计美有其自身的发展历程。整齐、对称、均衡等形式的应用,奠定了陶瓷设计美的发展基础。手工业时代,陶瓷设计美的意义不仅体现在实用与审美的统一,更增加了丰富的精神内容。工业时代,陶瓷产品的标准化和商品化发展,促进了功能主义美学观的诞生。陶瓷设计美学具有应用性很强的特点。陶瓷设计美学内容包括作为构成陶瓷产品存在状态的功能美、形式美;作为陶瓷产品形成的生产过程美;作为陶瓷产品综合实现的艺术美和社会美。
The aesthetics of Ceramic Products Designing has is unique development process. The application of fomalization like uniformness, symmetry and balance lays foundation for the aesthetic. In the Handicraft Industry era, the significance of ceramic designing aesthetics not only exhibited the unification of utility and aesthetics, but also expanded its abundant connotation. While in the Industry era, the development of its standardization and commercial utilization has given birth to the perspective of functionalism aesthetics. The aesthetics of Ceramic Products is much applicable. The aesthetics of Ceramic Products includes functional and formal aesthetics which constitute the existence of ceramic products, the manufacturing process aesthetics of the making of ceramic products and the artistic and social aesthetics presented synthetically by the products.
出处
《中国陶瓷》
CAS
CSCD
北大核心
2005年第1期68-69,64,共3页
China Ceramics
关键词
陶瓷产品
设计
美学
Ceramic products, Design, Aesthetics