摘要
本文描述了俄国形式主义这一文学理论与批评流派经由西方而迟缓地传入我国的进程,考察了我国学术界译介和研究俄国形式主义的主要成果,并以钱钟书先生的<谈艺录>以及当代文学批评中的某些变化为例,论证了我国学者对俄国形式主义理论与批评的接受,揭示了80年代中后期在我国涌现的文学本体论思潮与俄国形式主义的内在关联.
This essay first brings to light the gradual process of Russian Formalism traveling from west to China, and then highlights some remarkable achievements of Chinese academia in introducing and studying this far-reaching influential school. Taking Random Talks on Literature and Art by Qian Zhongshu and other changes in China's contemporary literary criticism as examples, this essay confirms the reception and critical practice of Russian Formalism on the part of Chinese scholars, and points out its intrinsic relation to the literary ontology that arose in the late 1980s in China.
出处
《中国比较文学》
CSSCI
北大核心
2005年第3期169-180,共12页
Comparative Literature in China
