摘要
在对女性生存之痛的共同关注中,苏童与毕飞宇两位作家都不约而同地选择了女人/女人的人物对立冲突模式,而在人性的善恶、人物舞台的设置方面更呈现许多相异之处。通过对两者的分析与比较,可更清楚地看到新时期小说女性形象“他塑”所呈现出的艺术选择和审美趣味的某种征象。
Sutong and Bi feiyu are good at describing women's fate. There are both similarities and differences in their choosing the characters' conflict mode, describing the good and evil of the human nature, arranging the characters' stage and in the feel- ing and attitudes guiding their literary creation. By analyzing these aspects, we can find some features of the artistic selection and aesthetic preference of women characters' creation in new stage' s novels.
出处
《泰州职业技术学院学报》
2005年第5期16-18,41,共4页
Journal of Taizhou Polytechnic College
关键词
苏童
毕飞宇
女性形象塑造
Sutong
Bi feiyu
the creation of women characters