摘要
文章通过对20世纪汉族民歌研究史料的爬疏和整理,从音乐学研究的角度出发,对百年研究进行了回顾和分析。首先以1949年为界将百”年研究史分为两个阶段并对其进行了“学理性”论证。1949年以前,民歌研究分为“俗文学界等学科的研究”和“音乐学界的调研”两个方面(之间稍有年代上的前后关系);1949年以后,则按照年代的延续分为“前17年的研究状况”、“文革十年的停滞”、“1976年以后的研究”等三个时期。其次,根据这一纵向时间轴线,又对每一阶段民歌研究的特点、参与人物、主要方法、研究目的以及主要成果展开横向的叙述和分析,以综述的形式勾勒出百年民歌研究史的宏观面貌[本文第一、二部分发表于《黄钟》2005年第一、二期上]。
Through organized the historical research materials of Han national folk songs in 20th century, and from the viewpoint of musicology, the papers analyzed and reviewed the subject research in hundred years. It divided hundred years research into the two stages: before 1949, there were two aspects for folk songs research, the folk literature with other subjects and musicology investigation; after 1949, there were three periods, status of preceding 17 years, stagnated in ten years of the Cultural Revolution, the era after 1976. Then, based on the time axes, the writers discussed and analyzed the features of folk songs research in each stage breadthwise, as well as the personalities, main methods, the purpose of research, and the chief results, to summarize the general aspect of folk songs research history in hundred years.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2005年第4期90-97,共8页
Huangzhong:Journal of Wuhan Conservatory of Music