摘要
《尘埃落定》采用了比较特殊的叙事视角,它将第一人称的经验自我的限制视角和全知全 能的叙事视角通过视角越界方式联系起来混同使用,并结合了“白痴叙述”的傻子视角,造成叙事视角的 多重叠置;它在继承鲁迅的狂人视角的基础上打破了中西叙事理论的许多规范,发展了一种全新的叙事 视角,是一种颠覆性叙事视角的运用,并为后人提供了一种全新的叙事视角经验。所以说《尘埃落定》在 叙事视角的运用和探讨上对文学史的意义和贡献是巨大的。
Dust in the air has all fallen have adopted more special narration visual angle, it links up and confuses and uses the experience self- restriction visual angle and omniscient and omnipotent narration visual angle of the first person by crossing the border in visual angle , combining fool visual angle with ' idiot narrate '. The narration overlaps more visual angles to lead to the fact; It has broken a lot of norms that the midwest chats the reason theory on the basis of inheriting Lu Xun's madman's visual angle, having developed a kind of brand-new narration visual angle, the application of the visual angle that it is a kind of subversion to narrate, having offered a kind of brand-new narration visual angle experience to descendant. The narration application of visual angle and discussion has to be enormous to the meaning and contribution , literature of history to Dust in the air has all fallen .
出处
《西藏民族学院学报(哲学社会科学版)》
2005年第6期53-55,共3页
Journal of Tibet Nationalities Institute(Philosophy and Social Sciences Edition)
关键词
经验自我视角
傻子视角
全知全能视角
视角越界
self-visual angle of experience
fool's visual angle
omniscient and omnipotent visual angle
the visual angle across the border