主体间性与文学批评

"Intersubjectivity" And Literary Criticism

“主体间性”是20世纪逐步兴起的一个哲学与美学概念,随着西方哲学与美学的“语言学转向”与后现代主义美学和文论思潮,它越来越引起文学理论家的关注,并且发展出“文本间性”(或“互文性”)。这样“主体间性”就成为文学批评的一个行之有效的概念;它可以比较合乎逻辑地解决作者、文本、读者三者的关系,是西方文学理论和文学批评发展的必然结果。不过,“主体间性”也有其适用的场域和限度,过分地运用它势必产生文学本体的混乱。

＂Intersubjectivity＂ is a sort of philosophical and aesthetic concept that springs up progressively in the 20^th century. Along with ＂The Linguistic Turning＂ of the Western philosophy and aesthetics and the aesthetic and poetic trend of thought more and more and recruits ＂intertextua cept of literary This is the cert criticism. It could solve logically the relation of author, text and reader comparatively. This is the certain outcome of the development of the Western literary theory and criticism. However, ＂ Intersubjectivity＂ has its applicable space and limit. If utilizing it excessively, it will be bound to produce the confusion of literary ontology.