摘要
德波在《景观社会》一书中认为,景观社会作为当代资本主义发展的最新形态,其实质就在于社会存在的表象化,人们因对景观的迷入而丧失对本真生活的要求,资本家则依靠制造和控制景观的生成和变换操纵整个社会生活。在景观生产方式中,意识形态控制通过影像布展得以生成,而分离则是景观发生的现实社会基础。
This paper concentrates on Guy Debord's concept of " spectacle" presented in his Society of the Spectacle. As a newest formation of contemporary capitalism, the society of the spectacle lies essentially in the representation of social existence. People are so obsessed with spectacles that they are deprived of any pursuit of authentic life, whereas capitalists manipulate the whole social life through creating and controlling the appearance and transformation of the spectacles. In the productive method of spectacle, the control of ideology establishes itself through the spreading of images; and separation is the realistic social basis of the genesis of the spectacle.
出处
《南京大学学报(哲学.人文科学.社会科学)》
CSSCI
北大核心
2006年第1期5-17,共13页
Journal of Nanjing University(Philosophy,Humanities and Social Sciences)
基金
财政部
教育部国家社科创新基地南京大学"当代资本主义研究"项目
关键词
西方马克思主义
德波
《景观社会》
表象化
影像
Western Marxist
Guy Debord
Society of the Spectacle
representation
image