摘要
金圣叹和李渔虽同属明末清初的文学家,且都精于小说戏曲理论批评,但两人的性格为人、生活态度、人生道路等许多方面也存在不同之处。因此,金圣叹与李渔的文学思想也有明显的不同,呈现各自独有的特点。金圣叹服膺司马迁“发愤著书”的创作理念,推崇悲剧,肯定《水浒传》与《西厢记》都是以悲剧结尾的杰作。李渔则表明并不认同“发愤著书”,宣扬“唯我填词不卖愁”,极力肯定喜剧创作,甚至认为自己的诗文“皆属笑资”。
Both as literateurs during the transitional period of Ming-Qing, JIN Sheng tan and LI Yu were proficient in opera and novel theory criticisms . But there were many differences between them : personality and behaviour, life style,road in human life and so on . Therefore, their literary thought distinguished evidently, presenting each unique characteristics . Convinced "writing for indignation " of SIMA Qian,JIN Shengtan prasied tragedy highly,confirmed " All Men Are Brothers " and " Romance of West Chamber " were both masterpieces with tragic en-ding. Stated clearly writing not on account of discontent, LI Yu affirmed comedy creation vigoro-usly, made his standpoint of "composing without selling worrying " known, even thought his po-ems and proses all belonging to jape.
出处
《武汉大学学报(人文科学版)》
CSSCI
北大核心
2006年第2期197-201,共5页
Wuhan University Journal (Humanity Sciences)
关键词
金圣叹
李渔
文学理论
明末清初
JIN Shengtan
LI Yu
literary theory
the transitional period of Ming-Qing