论欧阳予倩戏曲改革的理论和实践

Ou Yang Yu Qian's Innovation of Traditional Opera:Theory and Practice

本文主要梳理了欧阳予倩戏曲改革理论和实践的调整变化过程,分析其改革方案及实践的内部构造,认为其戏曲改革的基本精神是在旧剧中融入适时代的思想意识,主要途径是以戏剧文学为中心并且引入现代的导演制,这一改革导致了新的戏曲美学形态的产生。

This paper traces the development and modification of Ouyang Yuqian＇s endeavor to reform Chinese traditional opera both in theory and practice. It analyzes his reform models and some individual cases. It concludes that the tenet of his reform was to introduce ideas that keep in pace with the time. He succeeded in doing so by means of shifting stress on dramatic literature and adopting the modem director. The result was the birth of a new aesthetics of the traditional opera.