从书写内容看魏晋南北朝书法与文学的交融

Fusion of Calligraphy and Literature in Wei-Jin-Southern & Northern Dynasties from a Content-based Perspective

书法家有意识的以自作的诗文或他人的文学作品作为书写对象,创作供人们欣赏的书法作品,是书法与文学自觉交融的表现方式之一。这一现象是从汉末魏晋南北朝时期开始的,它一方面表明此时文人已将“写字”看作是一种脱离实用的审美活动,另一方面表明文学对书法具有很强的影响和渗透力。以文学作品作为书写内容而产生的书法作品,已不再是一件单纯的书法作品,而是一种书法和文学艺术融合为一的共同体,具有独特的审美价值。书法创作以文学作品作为书写内容从而与文学相互交融的现象,在书法发展史以及整个艺术发展史上,是有重要意义的。

Consciously, calligraphers choose their own works or literary works of others as the target of Writing and produce the calligraphic works for people＇s appreciation Such kind of calligraphic works is one of the ways of expression on the natural fusion of thecalligraphy and the literature.. This phenomenon appeared at the end,of the HanDynasty and Wei-Jin-Southern ＆ Northern Dynasties. On the. one hand, it indicates that the men of letters at that time viewed ＂handwriting＂ as an aesthetic activity which was separated from the actual ase. On the.other.hand, it indicates that literature has a great influence and forceful penetrating power on calligraphy. Literature-based calligraphy is not a simple calligraphic works any more, but a fused works of the calligraphy and literature with unique aesthetic values. The phenomenon：of literature-based calligraphic creation .and the fusion of the Calligraphic and literature has a great significance＇ in the development of the calligraphy and art history.