20世纪中国画现代转型中的“传统主义”

The "Traditionalism" in the Modern Transformation of Chinese Painting in 20th Century

20世纪中国画的发展有两条十分清晰的主路径,一是中西融合,二是传统演进。长久以来,在某种西方中心主义的思维定式下,这两种路径被安排在从传统到现代的时间序列的先后位置上,后者被总体性地认为未进入现代范畴。本文欲求通过若干个案的深入展示另一种致思方向,即从"现代性的植入"这一大背景出发,重新考辨"传统演进"之路的现代定位问题。

Two lines are clearly drawn in the development of 20th Chinese painting: one, the integration of the east and the west, and the other, the evolution of tradition. Owing to some fixed way of thinking from western centralism, the two lines have long been arranged chronologically from tradition to modern, and totally excluded from the category of modernity. This paper desires to show a different direction in order to reposit 'the evolution of tradition' of modern time in the greater context of 'introduction of modernity'.