郑簠隶书流派钩稽

Research on the School of Zheng Fu’s Li Calligraphy

本文对清初隶书名家郑簠的及门弟子、生前追随者与后来受其影响的书家进行全面钩稽,勾勒出以郑簠为核心人物的一大隶书流派。此一流派的活动时间为康熙至乾隆朝,人员主要集中于南京、扬州、徽州、山东、浙江、福建等地。他们的隶书取法汉碑,强调书写的气势与节奏感,在风格上不出郑簠藩篱。乾、嘉以还,因为碑学风尚的转变,郑簠的隶书遭到强烈批评,这一流派遂渐次式微。

This thesis makes an overall exploration on Zheng Fu, one of the famous Li calligraphers in the Qing Dynasty, and his students, followers, and callig- raphers influenced by him after his death, and combs out a big Li calligraphy school with Zheng Fu as the kernel figure. The active period of this school was from Kangxi to Qianlong period in the Qing Dynasty, and the members collected mainly in Nanjing, Yangzhou, Huizhou, Shandong, Zhejiang, Fujian, etc. Their Li Cal- ligraphy learned from the stele inscription in the Han Dynasty, and stressed the imposing manner and rhythm during writing, and their calligraphic style was not out of Zheng Fu's. Because of the change of the ten- dency of stele inscription after Qianlong and Jiaqing period, Zheng Fu's Li Calligraphy was criticized strongly, so that this school lost its fame little by little.