摘要
德国戏剧家布莱希特创立了"叙事剧"及其"陌生化效果"即"间离方法"的戏剧理论,强调演员、角色、观众三者之间的辩证关系,认为观众要与舞台演出保持情感和理智上的距离,并对戏剧所反映的现实进行思考和判断。
German dramatist Brecht established"Epic Theater"and "Verfremdungseffekt". He emphasized on the dialectic relations between actor, role and audience. He supposed that the audience should keep his emotional and sensible distance from the stage and think over the reflected reality of the plays.
出处
《长春师范学院学报》
2007年第6期129-131,共3页
Journal of Changchun Teachers Coliege
关键词
叙事剧
陌生化效果
epic theater
verfremdungseffekt