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困境与焦虑——谈70年代后全球化意识状态下的当代艺术创作

Predicament and Anxiety——On Contemporary Arts Creation against the Awareness of Globalization Since 1970s
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摘要 上个世纪70年代后当代艺术创作多元化的特征越是明显,其是在全球化意识状态下的风格表现,在作品背后隐含着经济社会带来的社会危机,表现为物质欲望的张扬、消费文化兴起、社会享乐主义的无节制等。精神意志的迷失带给社会人内心的焦虑,引发了诸多的社会困境。在国内文革后的艺术创作应和社会改革并在实验中发展,中国当代艺术家是在对外来文化借鉴和对本土文化传承并革新,以次来确立自己的艺术语言定位,面对当代艺术创作的多元化状态,笔者主张:"知止不殆","和而不同"确定民族文化信仰的学术主张。 Contemporary arts creation has increasingly been diversified since 1970s, especially the display of styles against the awareness of globalization. What the works imply is the social crisis which is brought about by economic society; what they reflect are the publicization of material lusts, the rise of consumption culture, the insobriety of social sybaritism, etc. The lost spirit resulted in psychological anxiety in social members, and caused a variety of social predicament. Arts creation after the Cultural Revolution at home should comply with social reform and move forward in the process of experiments. Contemporary Chinese artists utilize the foreign cultures and inherit, then improve our native ones so as to establish artistic lingual Cognition, to deal with diversified state of contemporary arts creation.
出处 《河北科技师范学院学报(社会科学版)》 2008年第3期78-81,共4页 Journal of Hebei Normal University of Science & Technology(Social Sciences)
关键词 全球化语境 社会危机 当代艺术 多元化 后现代主义 globalized lingual environment social crisis contemporary arts diversification post-modernism
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参考文献2

  • 1[2]易英.世界美术文选[M].石家庄:河北美术出版社,2004.
  • 2福柯,哈贝马斯,布尔迪厄等著.激进的美学锋芒.周宪译北京:中国人民大学出版社,2003

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