从撕裂到共生——浅论民族主义与早期中国电影的文化内涵

From Tearing to Co-existing: Nationalism and Cultural Connotation of Early Chinese Films

电影民族化是所有国别电影所必须面对的电影文化属性与身份归属的转化命题,在中国电影发展的创始期阶段(1905年—1931年),民族主义一直是支撑电影文化语境转换的有效手段之一。分析这一特殊时期电影经验结构和价值体系中的民族情结以及它们对中国现代化民族想象的影响,以便后人对早期中国电影的文化形态和范式样本有着接近性的认识和梳理。

The nationalization of film - making is a film identification transformation proposition facing all nation＇ s film industry. In the early period of Chinese film industry （1905 -1931 ）, nationalism had always been the effective meanings for the film identification transformation. Thus, an analysis of the national complex and its influence on the national imagination in the experience construction and value system of the film making in the this special period would make us better understand it and the categorization of the cultural morphology and paradigm of the early Chinese films.