摘要
欧洲音乐之所以朝向艺术化方向发展是由其文化深层的矛盾和冲突所导致;文化冲突的具体表现是礼仪与艺术性的矛盾,而修辞在其中扮演了重要的磨合剂的角色;修辞是一种权力的技巧和谋略,它冲淡了矛盾,掩护了礼拜仪式中的创新,使艺术化企图渐进而隐蔽。
The writer had the opinion that the artistic tendency of European music had come from the deep-rooted structural imbalance of its culture, which embodied the contradiction and collision between the etiquette and artistry, and the rhetoric played an important role of adaptogen in it. The rhetoric is a kind of technique and strategy that effaced the conflict, covered the creation in the liturgy, and help its music artistic intention hidden as well as progress step by step.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2009年第1期57-66,共10页
Huangzhong:Journal of Wuhan Conservatory of Music
基金
教育部普通高等学校人文社会科学重点研究基地重大项目《欧洲中世纪和文艺复兴时期音乐研究》的成果之一