“引俗入雅”——雅、俗文化对流中的唐英戏曲创作

Adhibit Secularity To Elegance——TANG Ying' s Drama Between the Convection of the Secular and Elegance Culture

清乾隆年间爆发的“花雅之争”是俗文化在戏曲领域的开端。唐英就是这一时期积极向“花部”学习的昆曲作家代表,他试图采用“引俗入雅”的方式改造昆曲。“引俗入雅”的戏曲创作观顺应了历史发展潮流,对中国戏曲的发展起到了重要的推动作用。本文从雅俗文化对流的历史背景入手,对唐英作品中的俗语运用,丑、净角比例增加的现象进行分析,指出了唐英在戏曲俗化过程中的贡献。

The compete between secularity and elegance is the beginning of the secular drama.TANG Ying is the represent of who study from the ' Huabu' drama.He tried to adhibit secularity to elegance.His drama was coherent with the trend of history,it makes Chinese traditional drama a great progress.