摘要
跑圈子秧歌和西路二人台都是在同一块音乐文化的土壤上生根发芽,它们在表演形式、唱腔形态和伴奏乐器的奏法上有着各自不同的特点和相同的特征。跑圈子秧歌和西路二人台在形成与发展的过程中,并不是一个狭隘的、封闭式的文化形式,而是在不断地流动、吸收和融合。
Rooted from the same music culture,the dance-in-circle yangko and Song and Dance Duet have some differences and similarities in performing,singing shape and the playing of the musical instrument accompaniment.In forming and developing,the dance-in-circle Yangko and Song and Dance Duet are neither narrow nor sealed,but are flowing,absorbing and integrating constantly.
出处
《阴山学刊》
2009年第5期58-61,共4页
Yinshan Academic Journal
关键词
内蒙古
跑圈子秧歌
西路二人台
表演形式
唱腔形态
伴奏乐器
共生
传承
Inner Mongolia
Dance-in-circle Yangko
Sing-and-dance Duet
Performance
Singing shape
Accompaniment of musical instruments
Commensalism
Smriti