摘要
新中国建立以后,彝族妇女的形象经常被强势话语所主导。在异文化视野中,彝族的他者形象大多是由女性来代表的,身着各色传统服饰的彝族妇女往往成为各种艺术、文学和现代传媒争相表现的主题。彝族妇女作为带有落后乡村特色却又青春盎然的融合体,在当代中国被展现得淋漓尽致,在这种情境中,彝族妇女成了区别族群的标志并承载着多重涵义,成为与现代性相对照的民族性的象征。
After the founding of new China, the images of Yi women were used to dominate by powerful discourse. In the other cultures view, the autrui image of Yi is always represented by women, Yi women in colorful costumes tend to become the expressive themes by art, literature and the modem media. Yi women as the fusion body of backward countryside characteristic and vitality are displayed incisively and vividly in contemporary China. In this context, Yi women became the ethnical marks and carrying multiple meanings, which becomes the symbol of the nationality contrasted with modernity.
出处
《楚雄师范学院学报》
2010年第1期60-67,74,共9页
Journal of Chuxiong Normal University
关键词
当代中国
彝族妇女形象
文化认同
内部东方主义
contemporary China
image of Yi women
cultural identity
Internal Orientalism