摘要
在《死水微澜》中,作者精心刻画了一个独特叛逆的女性形象蔡大嫂,并将她置于西方列强侵入四川的袍哥势力和教民势力交错纠葛的斗争中。在大的社会转型过程中,蔡大嫂——一个封建女性作为一个"人"的形象,有着鲜明的女性意识,执著于自己的理想生活,而且作者通过营造饱含浓厚巴蜀韵味的空间,凸显主人公生命张力的鲜活个性,艺术地再现了当时"死水"般的四川社会所被激荡起的阵阵"微澜"。
In the "Ripples in the stagnant water" ,the author meticulously depicts an unique rebel woman,Cai who was placed in the struggle of the western powersand,Sichuan Paoge forces and Christians.Facing the process of social transformation,Cai,a feudal woman as well as an image of human,has a brilliant awareness of women in pursuit of her ideal life. The writer created a folk environment of Sichuan for the heroine to show her vitality in the stagnant water like society.
出处
《哈尔滨学院学报》
2010年第3期73-76,共4页
Journal of Harbin University
关键词
蔡大嫂
女性意识
文化内蕴
婚姻道德
Cai
women consciousness
cultural connotation
marital ethics