中国当代漆画中的图像与技术

Image and Technique in Contemporary Chinese Lacquer Painting

在图像问题上,漆画始终没有很明确的与其成像技术相匹配的图式。图式不确定实际上也影响着漆画的成像技术,故其长期以来一直处于"仿制"阶段,至今依然如此。在第十一届全国美展漆画作品中,各种图像的应用、挪用或借用,比比皆是。漆画看重的是漆工艺本身而不是画的图像,图像是可以被借用的。这不是抄袭问题,而是民间工艺中常见的图像应用现象,其意义正在于同一图像可以不同的工艺表现形式出现,扩大了图像传播的途径,也体现了技艺的开放度。手工制作保证了其应用图像过程中的此时此地性,却无法保证图像的原创性。本文首先讨论了学术范型与表现图式,其次涉及当代漆画创作中被应用的图像及其意义,接着分析图像与图形,区分具象与抽象性的语言和具体与本体性的语言,论及材料与图像的生成问题,最后提出在技术时代漆画创作所面对的艺术问题。

As to the problem of images,lacquer painting does not have clear patterns that match its image technique. Pattern uncertainty actually also affects the imaging technique of lacquer painting; therefore,it has always been at the stage of ＂imitation＂ till now. Among the lacquer painting works of the 11th National Fine Arts Exhibition,there are various application or duplication of images. The quality of lacquer painting depends on the painting art itself instead of the image; the image can be borrowed. It is not plagiarism,but a common phenomenon in folk art; its significance lies in the fact that the same image can appear in different art forms,thus enlarging the image communicating approaches and representing the openness of the technique. Handcraft ensures the uniqueness in the process of image application,but it can not ensure the image originality. The present article first discusses academic pattern and representation image,then studies the images used in contemporary lacquer painting creation and its significance,then analyzes image and pattern,distinguishing concrete and abstract language and concrete and ontological language as well as discussing the formation of material and image,finally presents the artistic problems facing lacquer painting creation in the age of technology.