论苏轼音乐美学思想的思辨性

On the Dialectic of Su Shi's Music Aesthetics

简单地说,"思辨"一词可以理解为通过思考、论证来辩证地看待问题。曾经有些学者认为中国古代强调的是规范、同一、权威,注重整体、讲求尊崇,因此片面地判断中国古代的哲学思想从整体上来看是缺乏思辨性的,但实际上哲学思想总是思辨的。中国古代有许多思想家、哲学家的观念并不缺乏思辨性,这种思辨思想透过他们的言论、文赋显现出来,苏轼也是其中一人。本文从苏轼和其与音乐有关的文学作品入手,从主客观的关系、审美观念的思辨性、矛盾的关系等方面论述苏轼音乐美学思想的思辨性。

In brief, dialectic, it means to handle problems through thinking and demonstration. Though many scholars believe that, the ancient Chinese thought highly of standard, identity, authority as well as paid attention to entirety and veneration rather than analyzed issues in mental way, however, the author doubts whether the argument bears much examination, it is thought that, many thinkers and philosophers in ancient China all had dialectical character, and Su Shi was one of them. Starting with Su Shi＇ literary works related with music, this article focused on the topics of the dialectic of his music aesthetics from aspects of the relationship between subjectivity and objectivity as well as the dialectic of aesthetics and contradiction.