摘要
"部",即乐部制度,"色",即"执色"体系。宋代的部色体系经历了"教坊四部"、"四部合一与执色的设置"以及"教坊十三色"三个阶段。本文详细考证这一历史进程中宋代部色体系的名实、功能、管理机制以及演变过程,并将部色体系与宋代艺术实践相联系,以探讨宋代部、色体系的功能特征及其转化的深层原因。
The author examines the bu and se music division system of the Song Dynasty,including its three historical stages,terms,functions,managerial mechanism and evolution,as well as its linkage to the art practice of the time,in order to gain insights into its characteristic functions and the deeper agents of its transformation.
出处
《音乐艺术（上海音乐学院学报）》
CSSCI
北大核心
2011年第2期99-108,5,共10页
Art of Music(Journal of the Shanghai Conservatory of Music)
