两宋磁州窑写意花鸟与文人画的异同

The similarities and differences of impressionistic paintings of flowers and birds and paintings of literary people of Cizhou kilns in Song Dynasty

比较五大名窑对釉色美单一的无限追求与登峰造极,磁州窑黒绘陶艺则表现为受众人群多、市场地域广、传播范围大、风格突出、鲜明多样等特点,尤其是化妆土剔刻工艺和铁锈花黑绘技法的创造并运用,直接把书画艺术移植到陶瓷立体器物上,拓展了绘画载体,丰富了视觉审美空间。两宋时期磁州窑陶艺作品上的绘画图式简约、空灵、潇散、大胆和奔放与文人画写意重韵的文学思潮相一致,同时反映了这一时期的整体文化气质。

Compare the five famous kilns’pursuit and infinite culmination of color,black painted pottery in Cizhou kilns is manifested in the large audience crowd,the wide range of market sectors,the wide range of communication,prominent style and distinctive features,especially the creation and use of make-up soil crafts and rust tick engraved black flower painting techniques,directly transplanted the ceramic art of painting into three-dimensional objects,expanded the drawing vehicle and enrich visual aesthetic space.Schematic drawing on ceramic works in Cizhou kilns is simple,ethereal,bold and imaginative which is consistent with literary trends of artistic conception in paintings of literary people,it also reflects the overall cultural capital of this period.