摘要
1942年5月的延安文艺座谈会,是为了应对并解决前此出现的文艺新潮中的诸多问题而召开的。这场影响深远的延安文艺新潮,是在"皖南事变"后的特殊历史背景下,因"鲁迅"而启动,又以"鲁迅"的名义获得其合法性的。从表面看来,这股文艺新潮表现的是以丁玲为代表的"文抗"与以周扬为代表的"鲁艺"的宗派之争,但实际上,它的内含是以鲁迅为代表的"五四"启蒙主义文学价值观念与革命的意识形态之间根本性的冲突。而延安文艺座谈会的召开及毛泽东《在延安文艺座谈会上的讲话》的发表,阻遏并逆转了这股以"五四"启蒙主义为旨归的文艺新潮,从而使其成为历史的一次回光返照而为后人所记忆。
The Yan' an Forum on Literature and Art in May of 1942 was held to respond to and solve a number of problems that had risen in the new trends of literature and art in those days. It was an influential new trend of literature and art in Yan' an, which was initiated by "Lu Xun" under the special circumstances of "the Incident in Southern Anhui" and legitimized in the name of "Lu Xun". It appeared that the trend exposed a conflict between the group of "Anti-Japan by Literature and Art" headed by Ding Ling and that of "Lu Xun' s Literature and Art" headed by Zhou Yang. In essence, it showed an essential conflict between the May-4th values of literary enlightenment represented by Lu Xun and revolutionary ideology. An a result, the opening of the Yan' an Forum on Literature and Art and Mao Zedong' s delivery of his Speech at he Yan' an Forum on Literature and Art stopped and backspinned the trend of literature and art taking the May-4th enlightenment as the end and turned it into a page of history to be remembered.
出处
《陕西师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2012年第3期14-24,共11页
Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
基金
教育部人文社会科学项目(09XJA751003)
国家社会科学基金重大项目(11&ZD113)
关键词
鲁迅
延安文艺
五四启蒙主义
Lu Xun
Yan' an literature and art
the May-4th enlightenment