摘要
苏轼的音乐美学思想是随其生活经历和人生境遇的变化而变化,到晚年时形成以平淡为美的的"淡和"美学观,其基本内涵是"外枯而中膏,似淡而实美","绚烂之极,归于平淡"。这一美学思想源于道家的"无为而无不为"和禅宗的"不修之修"中的"表里对立统一"模式。这一美学观对后来影响很大,了解苏轼平淡美学的内涵和特点,对于准确理解宋以后艺术(包括音乐)审美思潮有积极意义。
Su Shi’s musical aesthetics changes along with his life experience and it becomes the doctrine of 'light beauty,' meaning what is once so splendid will eventually become simple,in the final years of his life.It is derived from the philosophy of the Taoism and Buddhism and has influenced later generations for hundreds of years.
出处
《南京艺术学院学报（音乐与表演版）》
CSSCI
2012年第2期41-47,172,共7页
Journal of Nanjing Arts Institute:Music & Performance
