中国当代钢琴“演奏音色”研究述评

A Review of the Research on “Performing Timbre” of the Piano in Contemporary China

音乐学术界对于钢琴演奏音色问题的研究,事关中国钢琴艺术的未来发展。当代中国钢琴演奏音色研究可以分为20世纪70-80年代的启蒙期、20世纪90年代的兴盛期、新世纪十二年的"伪繁荣"期。新世纪十二年的钢琴演奏音色研究的"伪繁荣",更加迫切地要求钢琴艺术界乃至音乐教育界对其中存在的问题作出深刻反思。

Research on the 'performing timbre' in Modern China can be divided into three stages.It began in the 1970s-1980s of the enlightening period and saw its flourishing days during the 1990s.The first decade of the new century has become what is called the 'pseudo-prosperity' time which urgently calls for the academia of the piano to seriously reflect on the issue.