摘要
中国艺术史是以艺术作品和创作者为主体的艺术变迁史,不是人物传记史,也不是形而上纯粹观念史。回到艺术本质研究,可以将一些佚名作品或图像纳入中国艺术史学研究和描述体系中,避免把中国艺术史简单地描述为文人书画史;可以使非主流的族群艺术与主流的汉族艺术同时出场,并重视图像的主体地位,使艺术史学的建构与描述更趋完整性。
The Chinese art history is a history of art evolution with works of art and crea/ors as the main body, instead of a biography or purely metaphysical history. Returning to nature of art research can involve the anonymous works or image into the research of Chinese art history and description system, and avoid the history of Chinese art history simply described as the literati painting and calligraphy, Non- mainstream art groups can appear with'the mainstream art at-the same time and attaches great importance fo the image in Chinese art history subject position, which make integrity of art history construction and description.
出处
《安徽师范大学学报(社会科学版)》
CSSCI
北大核心
2013年第6期772-778,共7页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
基金
教育部人文社会科学研究规划项目(13YJA760022)
关键词
艺术本质
艺术史学
图像信息
整合复数
essence of art at1 history image information integration of the plural