摘要
范稳的"藏地三部曲"是一片释、耶、爱熔铸成的人间净土。这种"奇观"式的写作呈现出一个被强加了"西藏性"的西藏,而生产和消费"奇观"的代价是将西藏特例化、工艺品化,从而使我们错失了真实的西藏。
Tibet Trilogy written by Fan Wen ereates a paradise on earth forged by the spirits of Buddhism, Christianity and love, but the storytelling formula which focuses on spectacles actually imposes "Tibetaness" upon Tibet. The production and consumption of spectacles result in the specialization and commoditization of Tibet at the sacrifice of a real Tibet.
出处
《重庆师范大学学报(哲学社会科学版)》
2014年第1期21-27,共7页
Journal of Chongqing Normal University Edition of Social Siences