中西方学术比较视野下的中国艺术史研究

A study of Chinese art history from the perspective of academic comparison

中国传统一直存在他律性外向艺术观和自主性内向艺术观。自清末民初西方的艺术观传入中国后,前者仍然延续,后者则被断裂。西方的中国艺术史研究不断推陈出新,得益于艺术史学科的转向以及其他学科的启发,包括中国博物馆和考古文物等出土资料的开放等因素。但是,引入西方的研究方法,需要遵守中国艺术史研究的本土"家法"和学规,以艺术和审美为中心,借助风格、空间、色彩等艺术分析手段,考察艺术风格形成背后的宗教、社会、礼仪、政治等因素,小心谨慎地进行跨学科研究。由此,既保持中国艺术史学成为一门开放的学科,又使其在与其他人文学科交叉研究中保持自身边界。

In history,Chinese traditional art had been developing independently and simultaneously borrowing foreign things to serve China.The successive achievements on Chinese art history in the West can be attributed to the shift of art history studies and the enlightenment from other fields such as the access to the unearthed cultural relics in the Chinese Museum.However,the introduction of western research methodology needs to take into account the rules of Chinese art history studies.Only in doing so can the Chinese art history studies grow to be an interdisciplinary but independent science.