摘要
文章主要对建安时期的啸进行了探讨。作者认为 ,这一时期啸的描写呈现出从动物之啸向人类抒情音乐转化的新局面 ,虽然它还有部分古文化色彩 ,但其主导面却是具有新特色的抒情之啸。建安之啸的产生与汉魏之际的思想革新、曹植和建安诸子有组织的文学创作活动有关。
Zhuge Liang, Jian'an Three Masters and Chaozhi were representatives of Jian'an Howl in this Period. The description of the Howl had made a breakthrough converting from animal Howls to mankind lyric music. The lyric Howl with new and distinguishing features played a leading role, though it was still partly having ancient literary flavor. The appearance of Jian'an Howl had something to do with the reforming on the occasion of Han and Wei Dynasties and also connected with the organized activities on literary creation by Caozhi and the Various Masters.
出处
《中南民族大学学报(人文社会科学版)》
CSSCI
北大核心
2002年第4期101-104,共4页
Journal of South-Central Minzu University (Humanities and Social Sciences)
关键词
啸
曹植
建安诸子
建安文学
文化思想
诸葛亮
时代特征
Jian'an
Howl
Caozhi
the various masters in Jian'an period
the literary Circles of Jian'an period