摘要
分析了中国古越花饰纹样的图案结构、文化寓意,采集及感知古越花饰纹样的形态造型,提取和重构古越文化中的越王剑和青铜盖盒上的花纹,将纹样简化设计成平纹地小提花组织。通过色彩重排,将其与现代装饰风格相结合,开发出一种独特的、新颖的现代装饰面料纹样,使将古越文化融入现代装饰织物设计中。在传统基础上对古越花饰纹样进行分解和重组,既能取得中西合璧、古今交融的效果,又能传承古越非物质文化遗产,成为蕴藏古越文化底蕴的文化载体。
This paper analyzes the structure and cultural implication of flower patterns in ancient Yue period, collects and perceives their forms and styles, extracts and reconstructs the patterns on the sword of King Goujian and the bronze cover in ancient Yue period, then simplifies design of the patterns to plain dobby design weaves. Through color recombination and combination of modern decoration styles, a kind of unique and innovative modern decorative fabric pattern is developed. Yue culture also blends into this modern decorative fabric. Based on the traditions, the flower pattern in ancient Yue period is decomposed and reconstructed to gain the effect of fusing Chinese and western elements and inherit intangible cultural heritage of in ancient Yue period. Thus, the decorative fabric pattern becomes cultural carrier containing the culture of ancient Yue period.
出处
《丝绸》
CAS
北大核心
2014年第10期45-49,共5页
Journal of Silk
关键词
古越
纹样
素织物
非物质文化
装饰织物
ancient Yue period
pattern
plain fabrics
intangible culture
decorative fabric