1Peter Kivy, Authenticities : Philosophical Reflections on Mu- sical Performance. Ithaca: Cornell University Press, 1995.
2Albert Sehweitzer, "The Art of Organ Building and Organ Playing in Germany and Franee," in Albert Sehweitzer, Schweitzer An Antholo- gy, Edited by Charles R. Joy, London: Adam and Charles Black, 1952, pp. 138 - 177.
3Albert Sehweitzer, J. S. Bach, Translated by Ernest Newman, New York : Dover Publications, 1967.
4Arnold Dolmetsch, The Interpretation of the Music of the 17th and 18th Centuries, London: Novello and Compa- ny, Ltd. 1915.
5John Butt, Playing with History. Cambrodge: Cambridge University Press, 2002, p. 3.
6Theodor W. Adomo, "Bach Defended against His Devo- tees," in Prisms : Cultural Criticism and Society, trans. Samuel Weber and Shierry Weber. Cambridge: Massachusetts Institute of Technology Press, 1981, pp. 135 - 146.
7"Performance Prac- tices", Thirty - sixth Annual Meeting of the American Musicological Society, Toronto, Canada. November 5 - 8. 1970. ( http: //www. ams - net. org/abstracts/Ab- stracts - 1970. pdf).
8Early Music, Volume 12, Issue 1, Oxford: Ox- ford University Press, February 1984. pp. 3 - 25.
9Nicholas Kenyon, ed. Authenticity and Early Music. Oxford : Oxford University Press, 1988.
10Steven Davis, "Authenticity in Musical Perform- ance", The British Journal of Aesthetics, 1987, Volume 27, pp. 39 - 50.
