“十二五”时期中国艺术史学研究述略

Brief Review of Chinese Art History Research during the “12^(th) Five Year” Period

艺术史是艺术学的一个重要分支学科,属于应用艺术学范畴。"十二五"期间中国艺术史学研究特点明显:一是艺术史的撰写与研究并重,艺术史的撰写以区域史为最大亮点,艺术史的研究则注重学理建构,在有关艺术史学的一些元理论问题的讨论上呈现出渐趋深入的态势;二是在现有的艺术史编纂成果中,再版著作占相当比重,这与该学科自身的特点有直接关系;三是在艺术史学研究中,国家社科基金艺术学项目资助课题的研究成果学术质量突出;四是在当代艺术史研究中,"艺术"与"美术"的概念混用现象仍然非常普遍,一般艺术学意义上的艺术史学研究需要更深入人心。

Art history is an important sub - discipline of Arts Studies, and it belongs to Applied Arts Studies. Obvious characteristics of Chinese art history studies during the ＂12^th Five Year＂ period can be concluded as follow： Firstly, the writing and the research of art history go hand in hand. Respectively, regional history is the highlight of the writing of art history, and the research is focused on the theory construction. For the latter, discussion on some basic theoretical issues in art history in deepened. Secondly, in the existing archival studies of art history, reprinted books accounts a considerable proportion which can be seen as directly related to the nature of the discipline itself. Thirdly, in the art history research, projects funded by the Arts Project of the National Social Science Fund are found of outstanding quality. Fourthly, in the study of Contemporary Art history, it is common to notice the confusion of the concept between ＂Art＂ and＂ Fine Arts＂. Therefore the art history studies in the general sense of arts need more consideration.