摘要
文章通过比较庄子哲学与海德格尔哲学中"真"的概念,从生存论层面重新阐释庄子思想中"真"的内涵。从庄子以"本真"为宗的生存论美学出发,从设计主体与设计对象,设计主体与生存环境及其与自然环境三个维度探讨现代设计内涵,将现代设计实践看作本真状态下的审美体验活动。
By comparison conception of "truth" within the context of Zhuangzi philosophy and that of Heidegger' s text, the intrinsic connotation of "truth" was re-claimed on the existential dimension rather than ontological dimension. Starting off from the "true" in the sight of existentialism of Zhangzi, it provides a new and potential method to explore the nature of modern design from three aspects: the interrelations between design subjects and design objects, design subjects and their living environment, and even natural environment, re-evaluating the design practice as an aesthetic experience in the natural state.
作者
耿阳
GENG Yang(School of Architecture and Fine Art, Dalian University of Technology, Dalian, 116023, China)
基金
辽宁省社科规划基金:"数字化艺术传播与辽宁省农村文化建设研究"(L13CWJ021)
关键词
庄子
真
现代设计
审美体验
Zhuangzi
ture
design
aesthetic experience