我国文化产权交易所发展状况、问题与趋势

The Development, Problems and General Trend of China's Cultural Assets and Equity Exchanges

文化产权交易所自2009年设立以来就饱受争议,目前邮币卡取代艺术品份额化业务成为资本市场新宠,并呈现出繁荣的表象。然而,正是在此背景下,文化产权交易所却在行政与市场力量博弈中演变为"非驴非马"的异象,并因此脱离证券管理部门的监管而面临着一定的金融风险;与此同时,深圳文化产权交易所则守正出奇,在坚守法律底线与自身定位的前提下,通过改革创新探索文化领域多层次资本市场建设,并正在成为我国文化产业发展的重要加速器。因此,我们认为政府要积极引导这种新趋势,并通过市场竞争确立其在文化产权交易领域的领导地位;同时,要加强邮币卡业务的监管,以防范金融风险,只有这样才能最终实现文化产权交易所由乱而治的跨越。

Since they made their first appearance in China in 2009, cultural assets and equity exchanges have proven controversial. Currently, stamp coin cards have replaced the service of dividing up shares of art works and become favorites at the capital market. However, it is against this context that cultural assets and equity exchanges have stepped into an ambiguous situation in the game between administration and market forces, and hence gone beyond the supervision of the securities regulatory authorities and are facing certain financial risk. However,Shenzhen Cultural Assets and Equity Exchange at the same time has developed new ideas out of conventional rules.Based on the bottom line of the law and its self-positioning, it explores through reform and innovation to construct a multiple-level capital market in cultural field, and is becoming an important accelerator for promoting China＇s cultural industry. Therefore, this paper advises that the government should actively guide this new trend and through competition make Shenzhen Cultural Assets and Equity Exchange a leader in the cultural assets and equity exchange market. In the meantime, the government is also advised to tight regulation on stamp coin cards to prevent financial risks. Only with these efforts can cultural assets and equity exchanges make a giant leap from chaos to order.