摘要
从艺术史学的视角解读海昏侯墓车马坑所出当卢正面錾刻纹饰,特别是对玄鱼与白虎图像的分析,得出在玄武之前,玄鱼或为更早的北方神之一,白虎为西北世界及冥世的主宰。汉文化在政治礼制上承袭秦制,而在意识形态的某些方面,又特别是在文化艺术领域则延用楚文化,反映在海昏侯墓出土当卢的装饰艺术上,纹饰富有激情、善于想象,传承了楚汉艺术的美学思想,具有浓厚的神话色彩和浪漫主义情调。
From the perspective of art history interpretation the Danglu unearthed the Chariot pits from HAIHUNHOU tomb, Through analysis and study the Danglu decorative art, especially the analysis of the Mysterious Fish and White Tiger image, come to the concluded that the Mysterious Fish may be one of the god of the north earlier than the Basaltic, the White Tiger of the northwest of the world and master of the otherworld. Han Culture on political ritual inheriting the Qin Dynasty, and in some aspects of ideology, especially in the field of culture and art are extended from the Chu Culture, reflected in the decorative arts of Danglu unearthed from HAIHUNHOU tomb, its decorative passion and is good at imagination, the heritage of the Chu art aesthetics, with a strong sense of myth and romantic sentiment.
出处
《艺术设计研究》
CSSCI
2017年第3期80-84,共5页
Art & Design Research
关键词
海昏侯
当卢
纹饰
文化寓意
HAIHUNHOU
Danglu
Artistic Emblazonry
Cultural Connotation