摘要
戏剧服装是戏剧的物化表现载体,一定程度上反映角色的性格、戏剧情感、场景渲染,是戏剧艺术形式的重要组成部分。文章以越剧戏服为切入点,通过实地调研、田野采风和记录整理等方法,对嵊州市越剧戏服的生产现状、戏服结构和缝制技艺方面进行了详细研究,分析得出越剧戏服的生产现状仍处于传统前店后厂的模式,因自产自销而效率低下,劳动力偏老龄化,服装风格清丽雅淡,款式结构基本沿袭传统服装"十字形、整一性和平面体"的特征,缝制时通过引进电脑绣花机、拷边机、平缝机等以机械化生产为主,流程主要包括面料机器绣花、制版、裁样、制作各环节。
Abstract: Drama costume is the materialized expression vector of drama, reflecting the character, drama emotion and scene rendering to a certain extent, which is an important part of drama art form. This paper, taking Shaoxing opera costume as the breakthrough point, through field investigation, field tour and record sorting method, such as the production status of Shengzhou Shaoxing opera costumes, costume structure and sewing skills aspects has carried on the detailed research, analysis of Shaoxing opera costume production status is still in the traditional mode of front shop, back factory, due to its homegrown inefficient, aging workforce, the clothing style is graceful , and the style structure is in the traditional of the heterogeneity and plane cross and whole body. When sewing, mainly mechanical production by introducing computer embroidery machine, reeled machine and sewing machine. The process mainly includes the fabric machine embroider, the plate making, the cutting sample and the production.
出处
《设计》
2017年第21期82-83,共2页
Design
关键词
越剧戏服
生产现状
结构
缝制技艺
Shaoxing opera costume Production status Structure Sewing skills