论“十七年”时期传统戏“整理”——以京剧“水浒戏”为中心考察

On the “Systematization” of Traditional Operas in the “Seventeen-Year” Period——A Case Study of Peking Opera Plays Themed on the“Water Margin”

"十七年"时期传统"水浒戏"剧目的整理,不仅在承继、保存民族文化遗产的态度上值得肯定,而且取得了举世瞩目的成就,其数量及其规模大大超过前人。但是,正因为有爱国主义教育以及创造社会主义新文化的"革命性"目的,使得剧目的整理者、审定者乃至合作艺人通过对"个别词语的修订"或"稍加改动"以及某些情节场次、人物角色的增删、加工与凝练等等,以符合"工农兵"文艺指向并突显国家意识形态的重要性。本文将以京剧"水浒戏"剧目整理为中心详细考察。

In the ＂seventeen-year＂ period, the systematization of traditional plays themed on the story of the water margin has not only been laudable in the attitude of inheriting and preserving the national cultural heritage but vidual words＂, to add and omit, process and highlight some plots and characters so as to meet the need of workers- and-farmers-and-soldiers-oriented literature and to highlight the importance of national ideology. This paper aims to study specifically the systematization of Peking opera plays themed on the ＂water margin＂.